Private property, entrusted to the Lombardy Region, conserved by Museum of Contemporary PhotographyĬontents about 700. et uagantem in agris magna ex parte inermem Hamilcar Poenos equites emisit. In that period he combined his activity as a photojournalist with work in the media of cinema and television: in 1953 he was assistant director on Alberto Lattuada’s film La lupa ( The She Wolf) in 1955 he made two documentaries for television: Viaggio in Magna Grecia and Viaggio nei paesi of Ulisse in 1956 he shot a feature-length documentary in color and in CinemaScope entitled America pagana (“Pagan America”).įrom then on, and with ever greater determination, Patellani’s work was to focus on the dimension of travel (with every journey planned down to the smallest details), and he chose to use color, leaving the black-and-white photography to assistants and collaborators.
Studi Magna Grecia (Taranto, 7-11 Ottobre 1982). In 1952 he began to work freelance, contributing to major foreign and Italian publications ( Epoca, Storia Illustrata, Successo, La Domenica del Corriere, Atlante). bienti aperti e aridi, tanto da divenire specializzate nella masticazione di. In this area, around the late 7th century BC, ancient Greeks produced different types of mixed communities with native populations. Oggi l’antica Metapontum riemerge dagli scavi e riporta. tra le foci dei fiumi Basento e Bradano, divenne una delle maggiori citt della MAGNA GRECIA, insieme a Siri ed Heraclea. His reportages left a deep mark on the style of the magazine, for which he invented “photo-texts,” extensive features accompanied by captions written by the photographer himself and molded by that spirit of total and interdisciplinary involvement in the means of information that, according to Patellani, ought to inspire the “new formula journalist.” A sharp observer of Italian society, Patellani reported on the postwar state of the country, its economic revival, its industries, fashion and cultural life. The Magna Graecia collection exhibits all those relics of various origin and provenience which were excavated in the southern regions of the Kingdom of Naples, since the mid-18th century. La localizzazione: METAPONTO, sorta nel VII sec. FONDO ARNO HAMMACHER / SCRITTURA DALLA BATTIGIAĪ master of Italian photojournalism, Federico Patellani (Monza, 1911 – Milan, 1977) began to take pictures professionally in 1935 when he took part in the operations of the Italian army in East Africa and used his Leica to realize photographic features that were published by the daily newspaper L’Ambrosiano.įrom 1939 onward he devoted himself exclusively to photography, commencing his collaboration with Alberto Mondadori’s weekly Tempo.FEDERICO PATELLANI / AMERICA PAGANA FUND.apart from the fact that the priests acted aperto capite and wore the. GIOVANNI CHIARAMONTE FUND / ATTRAVERSO LA PIANURA However the Sibylline books (supposedly from Magna Graecia) sometimes recommended.FONDO TONI NICOLINI / ARCHITETTURE DEL MILANESE.